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Wilson, who is 35, says that he loves seeing that kind of stuff online - “but I find it so tragic that it just kind of disappears.” He’d always felt compelled to build something larger from that material, lest it vanish into a “formless blob of content” or rot on an old hard drive. There are highbrow precedents for Wilson’s close attention to the strange-and-ordinary, but what “How To” often resembles is the stuff you’d see posted to Twitter or TikTok in 20-second chunks, with glib captions about urban living or relatable moods. Imagine the volume you’d need to be able to end it, as Wilson does, with paramedics dropping that body.
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It would take a lot of footage to craft a timeline of romance from images of people publicly flirting, groping, proposing, marrying and bickering, and even more to end it with paramedics removing a corpse from an apartment building. “Sharing your most intimate thoughts can be a disturbing and messy experience,” Wilson observes, as we watch a police officer pluck a sweater from a pool of blood on a subway floor. Two workers mop a sidewalk in balletic unison a man in a parked car idly sucks a woman’s toes a woman places a live pigeon in a Duane Reade bag like a salad she’ll finish later.
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But Wilson does magic with his staggering archive of street footage, all full of details that, if you encountered them yourself, you’d ponder for days: peculiar behaviors, dreamlike coincidences, strange omens and general “glitches in the Matrix,” as he puts it. “How To,” now in its second season, is (nominally) a tutorial, offering advice on subjects like wine appreciation and parking, and (formally) a documentary, following its themes to a bowling-ball factory or to interview a teenage real estate agent - and (ultimately) a form of memoir, a personal essay on video. On the way to the checkout, he marveled at a product he said he’d already purchased from a different dollar store: a clock radio with a built-in fish tank far too tiny for a fish, a “cool dollar-store-only object.” The entire place suddenly felt like a tidy analogue of Wilson’s show: filled with things too mundane, too accidentally strange, too tacky or sad or flawed or lacking in panache, to actively star in anyone else’s account of the world. Nearby he pointed out a display of tools from Trisonic, a budget brand he investigated in a 2016 short film, before collecting the things he’d come for: sink strainers, a miniature folding chair, a toilet seat with a fluffy white Pomeranian printed on its lid. He told me that he spends a lot of time in dollar stores when he has writer’s block. A morning stroll near his building, in Ridgewood, Queens, did not offer up anything with the kind of Wilsonian surreality the show specializes in - but our destination, a dollar store Wilson described as one of his favorites, did. You might think that there’d be something uncanny about walking around New York with the filmmaker John Wilson, insofar as that’s what much of his HBO series, “How To With John Wilson,” consists of: We see footage he’s magpie’d from around the city while he muses, in his thoughtful-Muppet voice, along baggy themes.
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